Surya Namaskaram - Sun Salutation

Anjali Mudra

       1. Feet in ‘V’-shape – Hands in “namaste” position 

Hasta Uthanasana
2. Inhale – Hands up – Backward bend 

Pada Hastasana
3. Exhale – Forward bend 

Aswa Sanchalanasana

       4. Inhale – Right leg (left leg) backwards – Head up 

Parvatasana

    5.   Exhale – Left leg backwards – Head down – parvatasana 

Sashstanga Namaskaram

6. Knees, Chest & Forehead touching the floor – crocodile pose

Bhujangasana
7. Inhale – Raise the upper trunk up – 

Parvathasana
8. Exhale - Mountain pose

Aswa Sanchalanasana

9. Inhale – Right (Left) leg forward – Head up 

Pada Hastasana

10. Exhale – Left (Right) leg forward – Pada Hastasana 

Hasta Uthanasana

11.  Inhale – Raise the hands up and bend backwards 

Anjali Mudra

12. Exhale – Bring the hands down

 “Namaste” position

•      Loosens up all the joints

•      Flexes all the muscles

•      Massages the internal organs

•      Activates the Respiratory, circulatory & all other systems.

•      Harmonizes the whole mind-body complex. 

 

music concerts................

‎" The music of the ancient world, was a worship of the heart, offered to the all embracing core of adoration. In it, every particle of our body sings and there is an interim fusion of the tones of the particles, somany micro-micro tones, that it becomes a continuous music in us and was hence treated as the richest heritage of a living person – Brihadaranyaka Upanishad

jeevan tv on Indian independance day

avalanchi

with bombay jayashri

with cheppad vamanan namboothiry

fusion at edappally

fusion at edappally changampuzha park

violin solo at fern hill narayana gurukulam

inauguration of malayala brahmana samajam annual meeting

with jaya(vijaya) at fern hill narayana gurukulam

with vaikom jayachandran

violin-flute-mandolin performance at aluva sivarathri festival

giving momento

with dr. omanakutty

on the veena at fern hill narayana gurukulam

avalanchi trip

with mavelikkara p. subrahmanyam

during kairali tv ragotsavam shoot

avalanchi

avalanchi

with coonoor seshadri bhagavathar at fern hill narayana gurukulam

singapore instrumental ensemble at yishun mahamariyamman temple

first voice recording at singapore studio for narayana mission

daivame kathukolkangu............

violin duet for navarathri 2010 in singapore

inaugural speech during malayala brahmana samajam annual meeting

with sreyas narayun

with udayan, balu and kannan at mamangalam

carnatic musical instrument ensemble at salem

sivarathri concert with edappally ajith

with pranavam m.k.sankaran namboothiry

with my brother sreekanth on the mridangam

violin duet with subha meenakshi

violin solo with thavil

studio recording with trichur narendran on the mridangam

with my brother sreekanth on the mridangam

The musician

Sri Anandnadh underwent advanced training in Carnatic Violin and Carnatic Vocal with the legendary violinist Sri Lalgudi G. Jayaraman and his son Sri Lalgudi GJR Krishnan for about 10-12 years in the Gurukula system. He has also graduated in Indian Music from the University of Madras and has performed on the violin during various occasions at different places as an accompanist as well as a soloist.

Different regional television channels have telecasted his concerts. Smt. Bombay Jayashri, Smt. Geetha Bennet, Dr. Omanakutty, Mr. Sreyas Narayun, Mr. Suryaprakash, Mr. M.K. Sankaran Namboothiry, Jaya (Vijaya) are just a few to mention among the leading artists for whom he has accompanied on the Violin. Above all, Shri Anandnadh has the credit of teaching Carnatic Violin and Vocal over a period of two decades in various reputed institutions in India and abroad.  

From Violin legend and maestro Sri Lalgudi Jayaraman…..

 “Anandnadh studied with me in the Gurukula system--residing in the home of the Guru imbibing the nuances of the art form He was a dedicated student very keen who came to us with a good music background and continued to learn this art form to the fullest extent. In Camatic Violin playing in the South India, the Lalgudi style of playing is considered to be traditional, innovative, vibrant and a judicious blend of musicianship and technique. This style was created by me and this is passed on by me or my son only to a chosen few deserving spirants amongst whom Swami Ananda Nadayogi is one. He later went on to obtain degree in Indian Music, especially Camatic music from the University of Madras, India. He is a versatile violinist and vocalist of Carnatic Music and will be a great asset to any Carnatic Music institution. He is an adept performer and a teacher who enjoys teaching.  He brings with him the experience of teaching students in India and Singapore. He can provide training for beginners to advanced level students learn this culturally unique art form of India offering classes in both vocal music and violin. I wish him all the success” - Lalgudi G. Jayaraman.